
Where old-world grandeur meets modern ease, Rosewood Vienna occupies a collection of heritage buildings on Petersplatz – feeling more like a private residence than a hotel
Vienna isn’t short of gilded hotels, palace-style lobbies or chandeliers dripping with history. What the city has often lacked is something quieter – somewhere chic, discreet and deeply comfortable, without the pomp. Enter Rosewood Vienna, the brand’s first Austrian outpost. Spread across three 19th-century buildings on Petersplatz, it’s a hotel that feels more like a private residence than a grand dame. The standard rooms are elegant but understated, but it’s the suites that really sing – vast, light-filled spaces with some of the best views in the city.



Discretion is the watchword here. You won’t find crowds spilling out of the lobby or staff rushing to impress. From the outside, there’s only a simple plaque and the kind of doormen you wish every city had – warm, immaculately turned out, and ready with directions or restaurant tips. Check-in takes place on the first floor, away from the street, in what feels like a drawing room filled with coffee table books and armchairs.
The design throughout echoes Rosewood’s new DNA: refined but residential, contemporary but laced with nods to Vienna’s art deco and baroque heritage. It feels cultured and quietly confident – a hotel for people who know what they like. It’s also notably popular with Gulf travellers, who appreciate Rosewood’s modern comforts, discreet service and international style. Throughout our stay, the mix of Europeans, Americans and GCC guests gave the hotel a distinctly cosmopolitan but understated air.


Rosewood Vienna couldn’t be better positioned. It sits directly on Petersplatz in the First District – the heart of the old city – surrounded by coffee houses, designer boutiques and historic streets that hum with the sound of horses’ hooves. Step outside and you’re minutes from St Stephen’s Cathedral, the Hofburg and the Graben. The hotel is discreet enough to be overlooked by passersby, but for guests, that only adds to the sense of privacy.


There are 71 rooms and 28 suites, all handsome in design with a palette of deep greens, creams and soft golds. They’re generously sized, with marble bathrooms, plush beds and plenty of thoughtful touches – Dyson hairdryers, yoga mats, wireless charging. Standard rooms are elegant and practical, though not life-changing. The real magic lies in the suites.
Our junior corner suite was the highlight of the stay – a space so beautiful we spent an entire day in it. From the balcony, St Stephen’s Cathedral loomed large, while the clatter of horses echoed from the cobblestones below. Afternoon light poured through historic windows, bouncing off brass fittings and jewel-toned upholstery. Inside, it felt like a collector’s apartment: coffee table books stacked on shelves, a curved bar, contemporary Viennese furniture and white marble tubs made for long soaks. Rosewood has perfected the balance of homeliness and polish, creating rooms that feel curated rather than decorated.


Dining is a surprise here – far better than the pared-down listings online suggest. The Neue Hoheit rooftop restaurant and bar is the hotel’s secret weapon, with views that sweep across the city’s spires. Lunch might be a Caesar salad theatrically assembled and tossed at the table, or schnitzels crisped to perfection under the parasols.
By evening, the rooftop complex transforms. Aperitifs overlooking the cathedral ease into cocktails inside the low-lit bar, and a final nightcap feels more like being in a private club than a hotel. The crowd here is well-dressed, mostly mid-thirties and upwards, discreet and in the know. This isn’t a rooftop bar designed for listings or influencers – it’s for those who appreciate a quieter kind of elegance. On a late-summer week of tempestuous weather, we enjoy spritzed in the sun in the heat at THE1835 (the official name of the cosy rooftop bar and terrace) on Wednesday, and cosied up on the mid-century indoor bar – small and incredibly private – with the perfect Manhattan, as the rain poured down, on the Thursday.
Breakfast is served upstairs too, tucked into the cosy eaves. It’s one of the best in Vienna: a buffet table laden with cakes, fresh juices and sparkling wine, alongside made-to-order classics and local favourites like Viennese eggs. It feels welcoming and unpretentious, with the kind of service that makes you want to linger long after the first coffee.


The spa is small but serene, designed for guests who prefer intimacy over spectacle. There’s a sauna, steam room and treatment rooms stocked with Augustinus Bader, and the atmosphere is calm enough that you can drop in between museum visits. A light-filled gym under the eaves overlooks Vienna’s rooftops – a surprisingly inspiring spot for a workout.

Rosewood Vienna isn’t trying to be the city’s flashiest hotel – it’s doing the opposite. Its standard rooms are smart but conventional, but the suites are among the finest we’ve ever stayed in, worldwide: spacious, stylish and quietly spectacular – sitting high above the rooftops, the sound of click clack below. Fling the windows open on a sunny, or festive, day – and it’s a moment out of movie. Add in its rooftop dining, intimate spa and discreet, residential feel, and you have one of Vienna’s most appealing stays for those who value privacy, culture and comfort over showmanship.
Dubai-based Isabella Craddock is the founder of Near+Far, a founding Academy Chair for The World’s 50 Best Hotels, former Condé Nast Traveller editor and a hotel-obsessed, design-devoted travel planner—for friends, loved ones, and readers alike.
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